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Pareidolia on Parade
2005.10.02 (Sun) 00:31
As reported in the New York Times, the Metropolitan Museum of Art is running a gallery showing entitled The Perfect Medium: Photography and the Occult, displaying a variety of photographs of "ghostly" images and phenomena from throughout the brief history of this technology's existence. From the NYT article:
Like all examples of great humor, it is, at heart, also a sneakily serious affair. Its subjects include the depths of human gullibility and the conjuring power of photography, whose technology, we may forget in the cynical day of digital manipulation and Photoshop, seemed unfathomable to so many people a century and more ago.
[our emphasis]
See, there it is, right there: the general population is always lagging somewhat behind the march of technology; and there are those who — whether for fun, fraud, or even honest education — take advantage of new technologies to keep those masses in the dark.
Don't get us wrong — as the Metropolitan showing demonstrates, there are plenty of people who fiddle with technology in various media with not the slightest criminal intention. And the simple fact that these folks are honest about their deceptions, and even willing to explain how they're done, should be enough to educate the masses on just how easy it is to manipulate, for example, photographs to depict whatever you might like. It's a gag, folks; you don't have to make up something supernatural to explain it!
But spiritualism, if suddenly voguish, belongs to a longstanding strain of American freethinking. It caught on during the second half of the 19th century when grieving survivors of the Civil War longed to reunite with their dead relatives. Electricity, the X-ray, expansions on Mesmer's experiments with magnetism, and the telegraph, with its rat-tat-tat, in syncopation with the spiritualists' ghost rappings, reinforced the notion that there were all sorts of invisible forces at play in the world.
Arthur C. Clarke put it this way: "Any sufficiently advanced technology is indistinguishable from magic." The thing to keep in mind, of course, is that different regions in our world, and even different cultures in one region, can far surpass others, technologically speaking. So, way back when the the "big city folk" were all excited about the relatively recent phenomenon of photographic techniques, it took much longer for the science to trickle down to the rest of the world. The technology was new — it was sufficiently advanced — and therefore seemed like magic. So when "ghosts" started cropping up in photographs, how were the uninformed or uneducated — the general population — to know the difference?
Skip forward a couple of centuries to today, and we'd bet that the average person on the street still couldn't tell you how photography works. This lack of knowledge is by no means detrimental to the individual's daily life — as long as he or she isn't involved with a career in photography — and therefore goes "untreated," leaving the individual blissfully unaware of the tricks that a skilled photographer or photoshopper can perform. However, the general ignorance (or miseducation) is detrimental to a society as a whole, because it enables the dishonest among us to exploit those tricks for their own ends; and, more problematically, renders a large percentage of the populace too credulous and uninformed to see through such fraud.
Now let's return to the Nineteenth Century:
This was also the era of Barnum. The first spirit photographer, William H. Mumler, produced for Mary Todd Lincoln a picture showing her with the ghostly image of her dead husband. The picture was widely circulated. Even the fact that Mumler was prosecuted for fraud did not dissuade the faithful from believing what they saw.
Mumler's French equivalent, Édouard Isidore Buguet, plied his trade in Paris after the War of 1870. Put on trial and facing prison, Buguet freely admitted his pictures were fakes and offered up the equipment he had used to concoct them, but this only caused the spiritualists to assert he was a martyr to their cause and a medium despite himself.
[our emphasis]
Both Barnum and Abraham Lincoln are alternately credited with saying, "You may fool all the people some of the time; you can even fool some of the people all the time; but you can't fool all of the people all the time." We would amend that to read: "Some people want to be fooled all of the time; all people want to be fooled some of the time; no people never want to be fooled."
It's a funny thing about human nature. Even when we know better, we can't help but succumb to interesting or seductive fantasies. It seems that everyone is guilty of this (we'd even accuse ourselves of it on occasion!). The best weapon we have with which to fight our own gullibility is education. Educate yourself; educate others. Only through learning about the world around us, and not blindly accepting what others — even (and especially) us! — tell you, can you gain an understanding of what's "really" going on.
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[ Filed under: % Bullshit % Media & Censorship ]
Comments (10)
Fan-man, 2005.10.02 (Sun) 23:54 [Link] »
fred ressler, 2005.10.03 (Mon) 05:53 [Link] »
The Two Percent Company, 2005.10.03 (Mon) 11:22 [Link] »
The Two Percent Company, 2005.10.03 (Mon) 11:25 [Link] »
Grendel, 2005.10.03 (Mon) 20:05 [Link] »
The Two Percent Company, 2005.10.07 (Fri) 14:39 [Link] »
Grendel, 2005.10.07 (Fri) 19:01 [Link] »
fred ressler, 2005.10.12 (Wed) 16:14 [Link] »
fred ressler, 2006.09.04 (Mon) 16:46 [Link] »
ann nelson, 2007.06.19 (Tue) 00:43 [Link] »
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